Andy Warhol was a very successful commercial illustrator. These illustrations consisted mainly of blotted ink drawings (or monoprints), a technique which he applied in much of his early art. Although many artists of this period worked in commercial art, most did so discreetly. Andy Warhol was so successful, however, that his profile as an illustrator seemed to undermine his efforts to be taken seriously as an artist.
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and erasing the traditional distinctions between fine art and popular culture. in the 1960s to his acquisitions of paintings by Warhol in the 1970s and 1980s.
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an artist looks like or whether theyre popular and just go by their sound. phase for about a year, Letters to Theo (Vincent Van Gogh), Popism (Andy Warhol)
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In the early 1960s, Andy Warhol tried to exhibit some of his drawings using these techniques in a gallery, only to be turned down. He began to rethink the relationship between his commercial work and the rest of his art. Instead of treating these things as opposites, he merged them, and began to take commercial and popular culture more explicitly as his topic.
Beautiful People Caught in Passivity by Peyton and Warhol - New York Times::
exhibitions bear the motivations of Elizabeth Peyton and Andy Warhol, two conduits of popular culture. if not the painting, of Andy Warhol, who, as luck
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His early paintings show images taken from cartoons and advertisements, hand painted with paint drips. Those drips emulated the style of successful abstract expressionists. Eventually, Andy Warhol pared his image vocabulary down to the icon itself to brand names, celebrities, dollar signs and removed all traces of the artists hand in the production of his paintings.
Tretchikoff, Vladimir -- Britannica Online Encyclopedia::
although his many fans compared his often garishly coloured art to Andy Warhols. Tretchikoff, an enormously popular self-taught painter, claimed to have sold
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Andy Warhol began to make paintings of famous American products such as Campbells Soup Cans from the Campbell Soup Company and Coca Cola, as well as paintings of celebrities. He founded The Factory, his studio, during these years, and gathered around himself a wide range of artists, writers, musicians and underground celebrities. He switched to silkscreen prints, which he produced serially, seeking not only to make art of mass produced items but to mass produce the art itself. In declaring that he wanted to be a machine, and in minimizing the role of his own hand in the production of his work, Andy Warhol sparked a revolution in art his work quickly became very controversial, and popular.
Andy Warhols work from this period revolves around American Popular Culture. He painted dollar bills, celebrities, brand name products, and images from newspaper clippings many of the latter were iconic images from headline stories of the decade. His subjects were instantly recognizable, and often had a mass appeal this aspect interested him most, and it unifies his paintings from this period. This quotation both expresses his affection for popular culture, and evidences an ambiguity of perspective that cuts across nearly all of the artists statements about his own work. Please purchase on online www.etabletop.com
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Andy Warhols Popular Paintings